Animosity towards Women in Eudora Welty's Literary Canon

Authors

  • Mohammed Mahameed
  • Majed Abdul Karim
  • Majed Abdul Karim
  • Mohamad Hilmi Al-Ahmad
  • Mohamad Hilmi Al-Ahmad

DOI:

https://doi.org/10.33806/ijaes2000.21.2.13

Keywords:

Animosity, exhibitionism, intimidation, misogyny, oppression, sexual, violence.

Abstract

The paper investigates Eudora Welty’s concept of animosity towards women in her fiction. Her novels and short stories portray rape, sexual exhibitionism, sexual threats and brutality as inhuman experiences that sarcastically result in a vicious conversion of indignity and humiliation to the female sufferer instead of the male perpetrators. Welty suggests that this context creates a sense of intolerance which acts as a destroyer of women’s identity and sense of self. In this paper, the researchers attempt to reveal the mechanisms that subvert women’s sense of identity in a world usually controlled by men. Welty’s vision, in this sense, is that the social consciousness of the woman does not only evolve from the personal consciousness, but also intricately interacts with it. Welty’s works that are central to this study include Delta Wedding, The Robber Bridegroom, and the short fiction, including The Whole World Knows and Sir Rabbit..

Downloads

Date of Publication

2021-06-01

How to Cite

Mahameed, M., Abdul Karim, M., Abdul Karim, M., Hilmi Al-Ahmad, M., & Hilmi Al-Ahmad, M. (2021). Animosity towards Women in Eudora Welty’s Literary Canon. International Journal of Arabic-English Studies, 21(2), 237–252. https://doi.org/10.33806/ijaes2000.21.2.13

Issue

Section

Table of Contents