John Osborne’s Luther: An Islamic Interpretation for Boosting Human Fraternity

Abstract

The fictional world John Osborne builds up in Luther (1961) dramatizes Martin Luther’s spiritual journey from rooted Catholicism to emerging Protestantism. Throughout the journey, Martin’s religious tendency varies according to the belief he adheres to. This paper examines if the aspects of the Christian doctrine Martin is fed with at first and the initiatives he undertakes later on can be reinterpreted through the lens of Islam. The study tries to prove that drama can be used as a platform that enhances religious and multicultural proximity rather than distance between the western world and the Muslim community. It analyzes the Christian tenets in Luther to demonstrate how the religious values embedded in Osborne’s representation can be brought close to the principles of the Islamic doctrine. Hence, another endeavour for boosting human fraternity is presented based on picking up a modern English drama that was written sixty years ago and analyzing some of its aspects from an Islamic perspective.